ANNOUNCE: An Evening at the IIC with Lorenzo Mattotti

An Evening at the IIC with Lorenzo Mattotti!
Monday, May 9, 2011 – 6:30pm
Istituto Italiano di Cultura – 496 Huron St., Toronto
Free admission
www.iictoronto.esteri.it

The Istituto Italiano di Cultura is honored to host a talk by mesmerizing maestro Lorenzo Mattotti. The Italian artist will discuss his career in comics and beyond, including his latest graphic novel Stigmata, and his collaborations, from his animated terrors in the movie Fear(s) of the Dark to illustrating Lou Reed’s concept album The Raven.

Lorenzo Mattotti is a world-renowned cartoonist and multi-disciplinary artist working in painting, illustration, animation, and design. After studying architecture, he decided to devote himself to comics. His works have been published in the most important magazines and his books are translated all over the world. From “Il signor Spartaco”, “L’uomo alla finestra”, “Stigmate””Ligne fragile”, and many other works, up to “Fires” and “Murmur” published by Penguin Books in 1993, Mattotti’s work has evolved with a continuing coherence, though always within the eclectic tradition of those who have the courage to be innovative. For children he has illustrated “Pinocchio” by Collodi, “The Pavilion on the Links” by Stevenson and has published “Eugenio” that had the Grand Prix of Bratislava in 93. Mattotti has also worked in the fashion world, reinterpreting the models of the most famous fashion designers for “Vanity” magazine. He has carried out advertising campaigns and has illustrated the cover of such magazines as The New Yorker, Le Monde and Suddeutsche Zeitung. In 1995, the Palazzo delle Esposizioni in Rome and The Frans Hals Museum in Harlem dedicated an anthology to him. He realized many important posters: Cannes 2000 – “Lire en Fête” “La Marie de Paris”. Recently he worked in the Film “Eros” of Wong Kar Way – Soderbergh et Antonioni, he creates the segments within the three episodes. In May 2011, Fantagraphics will publish Mattotti’s newest work The Raven, a collaborative effort with musician Lou Reed adapting and transforming the works of Edgar Alan Poe.

As a reminder, Lorenzo Mattotti is a featured guest of TCAF, May 7-8, 2011. For more info, check out www.torontocomics.com.

ANNOUNCE: “ZOO” J-Film Screening & Discussion with Usamaru Furuya


ZOO Film Screening & Discussion
With Usamaru Furuya
Monday, May 9th, 2011 @ 7:00pm
Toronto Underground Cinema, 186 Spadina
$10.
www.torontocomics.com

Internationally acclaimed manga creator Usamaru Furuya will be in Toronto as a Guest of Honour of the 2011 Toronto Comic Arts Festival, May 7th and 8th. But in addition to his comics work, Furuya is also a fine artist, writer, and designer, and has contributed to several popular Japanese films. One of these is ZOO, an unique collection of 5 thematically linked short films, all based upon the writing of popular Japanese horror writer “Otsuichi.” Furuya was tapped to write the screenplay adaptation, provide character designs, and storyboard one of the short films, an anime based on the poem “Sunny.”

To celebrate this facet of Furuya’s work, TCAF and the Shinsedai Film Festival will be co-presenting a screening of ZOO on Monday, May 9th at 7PM at The Toronto Underground Cinema. Usamaru Furuya will be on hand to introduce the film and, following the screening, will engage in a moderated Q&A with J-Film Pow-Wow Blog Editor and Shinsedai Film Festival coordinator Chris MaGee. A short book sale and signing will follow. RSVP on Facebook.

TCAF 2011 Presents: The Second Annual Official TCAFête!

TCAFête!
Saturday May 7th, 2011
@ Pauper’s Pup, 539 Bloor St West
$5 Cover/Free for TCAF Exhibitors & Volunteers
19+
www.torontocomics.com

Checkit! The Toronto Comic Arts Festival is proud to present the 2nd Annual Official TCAFête!

Do you need somewhere to celebrate after the first day of TCAF? Do you like meeting babes — and I don’t just mean lady babes, but babes of all genders? Comics babes of all genders?

Who doesn’t?! That’s why you’re going to attend the 2nd Annual Official TCAFête! Kick it with us on the 2nd floor of Paupers Pub at 539 Bloor Street West (South side of Bloor just East of Bathurst) to celebrate the first successful day of TCAF 2011! Everyone is welcome because this year’s party is going to be even more off the hook than the last. “How is that even possible?” you ask. That’s because we’ve got DJ NV on the 1s and 2s and there’ll be in-your-face Live Drawing Demos by Michael Deforge, Ray Fawkes, James Stokoe and Kagan McLeod.


DJ NV is known for Soul Sonic Events and his weekly residences at various Queen West venues.
You may have seen Kagan McLeod’s work…everywhere, like the cover of Kill Shakespeare, in the National Post, and in your DREAMS because you’ve been reeling since last year’s demo!
Michael Deforge is The Doug Wright award winning creator of Lose. Lose # 3 will be debuting at TCAF 2011!
Ray Fawkes‘s new book Possessions is currently available with One Soul to be released by ONI Press this summer!
James Stokoe, a Vancouver native, is the creator of the wildly psychedelic Orc Stain!

If you are a Guest, Vendor, Volunteer or Staff at TCAF, there’s no cover. The email address to get your name on guest list is TBA so keep checking back to make sure you get on it. For everyone else, cover is $5. A mere $5 for one of the awesomest events of the season? What a steal! So come to see and be seen amongst your fave comics peeps, your friends from previous TCAF’s, new friends, and maybe even some Toronto b-list celebrities! Sorry young’uns it’s 19+


Invite illustration by Kagan McLeod.

ANNOUCE: TCAFabulous: Queer Comix Mixer!

TCAFabulous! Party and Mixer
Saturday, May 7
6:30pm 9:00pm
Crews & Tangos,
508 Church Street
Admission is FREE
www.torontocomics.com

Queer comic book fans unite! Let’s celebrate spandex, gravity defying breasts, inappropriate relationships between men and boys, fishnets, token femme lesbians, ‘it’s not really bondage’ bondage and the muthafuckin’ Dark Phoenix in this evening of queering up some of your favourite comic book pages and images.

Panelists Jose Villarubia (Colorist extraordinaire, The Book of Copulations, Mirror of Love), Maurice Vellekoop (Pin-Ups & A Nut at the Opera), Zan Christensen (Publisher, Northwest Press) and Erika Moen (DAR! & Bucko) will target mainstream comics with their pink optic blasts and expose the hidden (really?) queer in all your favourite comic book characters.

After the show, stay for the mixer! Grab a cocktail, get a book signed and meet other queer comics fans and creators.

Also, TCAF is happy to welcome Northwest Press in their first Canadian comic book festival appearance. Northwest Press is dedicated to publishing the best lesbian, gay, bisexual and transgender comics and graphic novels including titles like Rainy Day Recess, Glamazonia, Teleny and Camille and more.

ANNOUNCE: “The Next Day” Book Launch & Exhibition

THE NEXT DAY
Book Launch & Exhibition
Tuesday, May 3, 2011
The National Film Board of Canada Mediatheque
150 John St. (at Richmond St. W), Toronto
Doors open at 7:00; Event starts at 7:30
Admission is FREE

This Is Not A Reading Series hosts a free intimate discussion with the entire creative team behind The Next Day, including indie-comics star John Porcellino (“Porcellino creates some of the most thoughtful, intelligent and beautiful comix in America” – TIME). The hour long discussion will be followed by a reception, and will also mark the opening of an ongoing immersive exhibition of original artwork from the graphic novella as well as animations, soundscapes, projections and more from the upcoming interactive experience at the NFB Mediatheque in Toronto through late May.

The Next Day is a groundbreaking graphic novella constructed from intimate interviews with survivors of near-fatal suicide attempts. In this poetic and profound philosophical exploration, four seemingly ordinary people each offer haunting personal insight into life, the decision to end it, and what comes after… It is produced and published by Pop Sandbox, the award-winning company behind KENK: A Graphic Portrait.

The Next Day was developed simultaneously as a separate interactive animated documentary online, in co-production with the National Film Board of Canada and in association with TVO as part of the NFB-TVO Calling Card Program.

The Next Day graphic novella will be available in Canadian bookstores and comic shops across North America in early May. It is distributed by Raincoast Books. The interactive experience will launch in late May at nfb.ca/thenextday and tvo.org/thenextday.

The entire creative team will also be guests of the Toronto Comics Art Festival May 7th and 8th, and appearing at the Drawn & Quarterly store in Montreal May 10th. Further details will be announced shortly and more information is available at thenextday.ca.

Co-Presented by: The National Film Board, TVO, This Is Not A Reading Series, Hot Docs Documentary Festival, The Toronto Comic Arts Festival, The Canadian Mental Health Association, Raincoast Books and The Toronto Animated Image Society

Review: Thor: Son of Asgard

Title: Thor: Son of Asgard Ultimate Collection
Writer: Akira Yoshida
Artist: Greg Tocchini
Publisher: Marvel
Published: 2010

Review by Derek Halliday

What is it About?

In the distant past, a young Thor struggles with being an Asgardian teenager, living in the shadow of his powerful Father, Odin, and his legacy. Along with his friends, the tomboyish Sif, and the cunning and brave Balder, Thor sets out on a journey to learn how to what it means to be ‘worthy.’

Why is it Good?

Son of Asgard was done during Marvel’s first big push to create a line of Young Adult books back around 2006 or so, and was probably one of the more successful… in concept and execution, if not in sales. With solid art and solid writing, Son of Asgard is, in execution, pretty close to the Shonen Manga paradigm (probably due to the influence of its Japanese writer). It features a young, unsure, protagonist who sets on the Hero’s Journey. Each issues features the small cast of characters working together to overcome a trial, and learning a lesson in the doing, while progressing the overall arc, which sees them apply what they’ve learned to a larger crisis, growing as characters and heroes as they do. The two story arcs contained in this collection encompass the entirety of the run, and ties the narrative up neatly with Thor growing to become the hero we know from Marvel proper. Greg Tocchini’s art is lively, loose, and expressive, with lush, detailed, backgrounds that help set the grand, epic, scale of the mythological world in which the story takes place. Unlike a some artists, he’s quite skilled at drawing believable teenagers, who are fit, young, and attractive looking, rather than muscular midgets, something that’s always bothered me a lot in comics featuring teenage protagonists. Akira Yoshida’s writing is tightly scripted, clever, and engaging, and more character than plot driven. Young Thor goes through growing pains, struggling with the expectations placed upon him; young and cocky, with a youthful swagger, he rushes recklessly into action, while Balder and Sif preach restraint and thinking before he acts. Young Thor and Sif slowly develop an awkward relationship as they move from being friends and sparring partners to potential love interests… a particularly favorite issue of mine involves Thor falling under the spell of a young Enchantress, which forces Sif to confront her own feelings towards Thor, and how he might feel towards her.

Thor: Son of Asgard was a sadly overlooked, and in my mind, successful, attempt at doing a Young Adult book using a mainstream Marvel character, that has broad appeal to both new readers and older fans of the character. I’m glad that it was put back in print in this full sized format (it was originally collected in two digest sized trades), and in its entirety.

You can find Thor: Son of Asgard in store at The Beguiling, or you can buy it online at beguiling.com.

THIS SUNDAY: ARTISTS HELP JAPAN: TORONTO!

NEW:ARTIST SIGNING TIMES ANNOUNCED!

12noon-3pm: Bobby Chiu, Jeff Lemire, Jim Zubkavich, Joe Ng, Kei Acedera, Ken Lashley, Marcio Takara, Michael Cho, Svetlana Chmakova

3pm-6pm: Alex Milne, Alvin Lee, Brian McLachlan, Eric Kim, Eric Vedder, Joe Ng, Julie Faulkner, Ken Lashley, Michael Cho, Ray Fawkes, Svetlana Chmakova

6pm-9pm: Agnes Garbowska, Alvin Lee, Bobby Chiu, Brian McLachlan, Chip Zdarsky/Steve Murray, Dale Keown, Eric Vedder, Francis Manapul, Jason Bradshaw, Jim Zubkavich, Julie Faulkner, Kagan McLeod, Kalman Andrasofszky, Kei Acedera, Marcus To, Ramon Perez, Stuart Immonen

9pm-12midnight: Chip Zdarsky/Steve Murray, Dale Keown, Kagan McLeod, Kalman Andrasofszky

Silent Auction Ends at 8PM

Artists Help Japan: Toronto
Toronto’s Illustration Community Fundraiser for Quake and Tsunami Relief
At REVIVAL, 783 College Street, Toronto
…Sunday April 17th, 12 Noon to 12 Midnight
Free To Attend – All Ages
FEATURING LIVE ART BY:
Kei Acedera [Alice In Wonderland] – 12-3pm, 6-9pm
Kalman Andrasofszky [X-23] – 6-9pm, 9-12 midnight
Jason Bradshaw[Boredom Pays] – 6-9pm
Bobby Chiu [Alice In Wonderland] – 12-3pm, 6-9pm
Svetlana Chmakova[Nightschool, Dramacon] – 12pm-3pm, 3pm-6pm
Michael Cho [Various] – 12-3pm, 3-6pm
Julie Faulkner [Promises Press] – 3-6pm, 6-9pm
Ray Fawkes [Possessions] – 3-6pm
Agnes Garbowska [Girl Comics, Marvel Comics] – 6-9pm
Scott Hepburn [Star Wars] – TBD
Stuart Immonen [Fear Itself] – 6-9pm
Dale Keown [Pitt] – 6-9pm, 9-12midnight
Eric Kim [Oni Press] – 3-6pm
Ken Lashley [Black Panther] – 12-3pm, 3-6pm
Alvin Lee [Street Fighter, Marvel Vs. Capcom] – 3-6pm, 9-12midnight
Jeff Lemire [Sweet Tooth] – 12-3pm
Francis Manapul [The Flash] – 6-9pm
Brian McLachlan [Princess Planet] – 3pm-6pm, 6pm-9pm
Kagan Mcleod [Infinite Kung-Fu] – 6-9pm, 9-12 midnight
Alex Milne[Transformers] – 3pm-6pm
Joe Ng [Street Fighter] – 12-3pm, 3-6pm
Ramon Perez [Captain America] – 6-9pm
Marcio Takara [The Incredibles] – 12pm-3pm
Marcus To [Red Robin] – 6-9pm
Eric Vedder [Darkstalkers] – 3-6pm, 6-9pm
Chip Zdarsky [Prison Funnies] – 6-9pm, 9-12midnight
Jim Zub [Skullkickers] – 12-3pm, 6-9pm
DJ SETS + MUSIC PROVIDED BY:
RIVIERA [PERFECTO,MYTH, KINETIKA NYC], LAZY RAY [NIGHTTRACKIN’], GERRENCE [NIGHTTRAKKIN’], ALVARO G [KINGS OF LATE NIGHT], ROLAND GONZALES [STUDIO+], CARLOVEGA [STUDIO+], JASON ULRICH [LAB.OUR UNION],SHINGO [HOT SAUCE], UNCLE MATTY & DUTTY MAUS [THE BEACS]

TORONTO—Toronto’s Illustration and Artistic Community comes together on April 17th in a 12 hour art-event at Revival. The unique event will raise money to aid relief efforts in Japan following the devastating recent earthquake and tsunami there. Spearheaded by a consortium of Toronto illustration studios, the Artists Help Japan: Toronto event is the local iteration of a charity movement begun by Pixar Art Director Dice Tsutsumi. The Toronto edition will feature live art shows, a silent auction, and dozens of artists and illustrators selling commissioned drawings, with all proceeds benefiting the Canadian Red Cross.

“As artists we are tremendously inspired by Japan and Japanese culture,” says Bobby Chiu, the illustrator, teacher and founder of Toronto’s Imaginism studios behind the Artists Help Japan: Toronto event. “We were all personally affected by the quake, tsunami, and resulting damage. It is important to give back for all that Japan has given us, and we can think of no better way to do so than with our art.”

Artists Help Japan: Toronto will feature more than 24 artists and illustrators from the Greater Toronto Area creating original drawings for 12 hours! This is an unprecedented opportunity for the general public to commission an original drawing from a professional artist and watch its creation in process; the artist’s fee will be donated entirely to the Canadian Red Cross.

In addition:
– Dozens more cartoonists will donate original art, books, and other rare items to be featured in a silent-auction on-site at Revival Bar.
– Live art demonstrations from Toronto Illustrators on stage, with the final pieces to be auctioned off live at the event
– $1 from the sale of every drink at Revival Bar will be donated to the Canadian Red Cross.

Admission to the ARTISTS HELP JAPAN: TORONTO event is free, and all ages are welcome. The event will run from 12 Noon to 12 Midnight.

ABOUT:
Artists Help Japan is a charity movement initiated by Dice Tsutsumi, an art director at Pixar Animation Studios, who was also behind 2008 Totoro Forest Project to help preserve Sayama Forest in Japan and Sketchtravel Project, to gather the force of communities of artists and creative minds around the world. We believe artists have special roles to contribute to the society. http://artistshelpjapan.blogspot.com/

Artists Help Japan: Toronto is spearheaded by Imaginism Studios President and illustrator Bobby Chiu, who was contacted by Dice Tsutsumi to run the Toronto event. Working with Illustrator Alvin Lee, Udon Entertainment CEO Erik Ko, writer/artist Jim Zubkavich, and Christopher Butcher of Toronto comic book store The Beguiling and the Toronto Comic Arts Festival, the team hopes to bring together Toronto’s diverse and exciting artistic community to engage the public in an unprecedented fundraising endeavour.

All proceeds from Artists Help Japan: Toronto will be donated to the Canadian Red Cross, specifically earmarked to aid in Japanese earthquake and tsunami relief. http://www.redcross.ca/

SPONSORS:
Revival Bar has been entertaining guests, visitors and fans as a premium event space since 2002. Revival has generously donated the use of their main space for the Artists Help Japan: Toronto event, and will be donating $1 from the cost of every drink to the fundraising efforts.http://www.revivalbar.com/

– Chris @ The Beguiling

This Weekend! The Beguiling at Keep Toronto Reading!

The Beguiling is proud to be teaming once again with Toronto Public Library on their KEEP TORONTO READING campaign throughout the month of April. We’ve developed 2 programs this year, one for kids and one for adults, and our friends at Anime North have also developed a neat program! It’s all happening on Saturday, April 16th at North York Central Library. Here are the details:

KTR: Graphically Speaking: Biographical and Historical Comics
North York Central Library, 5120 Yonge Street
Saturday, April 16, 2011, 1:00 pm – 2:30 pm

Scott Chantler (Two Generals), Zach Worton (The Klondike) and Chip Zdarsky (The National Post) on documenting history and autobiography through graphic novels. Each creator will present from their new work, and then join The Beguiling’s Christopher Butcher in a lively discussion about history, biography, and autobiography in comics. Presented in association with The Beguiling and The Toronto Comic Arts Festival.

KTR: Graphically Speaking for Kids
North York Central Library, 5120 Yonge Street
Saturday, April 16, 2011, 1:00 pm – 2:30 pm

Make manga with the pros, Eric Kim and Tory Woollcott. This art workshop is for kids ages 9 to 12. Call 416-395-5630 to register. Space is limited. Presented with Toronto Comic Arts Festival.

Anime North @ The Library!
North York Central Library, 5120 Yonge Street
Saturday, April 16, 2011, 3:00 pm – 6:00 pm

Anime cosplay… at the library! Hear an award-winning cosplayer give tips on how-to-do awesome makeup. Then enjoy a screening of the sci-fi romance anime Summer Wars. Come in costume and be eligible to win passes to Anime North. Presented with Anime North.

It’s going to be a fun day at TPL…!

– Chris @ The Beguiling

Review: Atomic Robo Volume 4

Title: Atomic Robo Volume 4: Atomic Robo and Other Strangeness
Writer:  Brian Clevinger
Artist:  Scott Wegener
Publisher: Red 5 Comics
Published: 2010

Review by John Anderson

What is it About?

Atomic Robo and the Action Scientists meet vampires from another dimension, the crazy Dr. Dinosaur, a Japanese biotech monster, and the ghost of Thomas Edison, all in one week.

Why is it Good?

“I trust you’re familiar with the many worlds theory of quantum mechanics. Well, Tesla and I found one back in the ’30s, and it’s filled with vampires. Here, take a gun.”

If you’re tired of story arcs that lead into more story arcs until you have to read a year’s worth of books just to understand the book you’re reading now, then Atomic Robo is for you. Even if you haven’t read the previous 3 volumes, it doesn’t matter. All you need to know about this series can be summed up by “atomic powered robot scientist fights monsters.” Each story stands by itself with no explanation needed or given. And it’s wonderful. After all, do we really need to see every detail of how characters get from one set piece to another? Do the heroes really need long backstories and lengthy internal monologues? Do we really need a long history of the latest crazy villain when all we need to know can be told in a few panels? All that matters is the crazy fun adventure that’s happening right now.

And volume 4 is just as crazy and fun as the previous 3 volumes. It tells one week in the life of Atomic Robo and the Action Scientists, from the day Dr. Bernard Fischer is unexpectedly hired to combat an outbreak of vampires, to the day when Edison returns from the dead as a flaming skeleton in a suit. In between, Atomic Robo goes to Japan and meets Science Team Super Five, and goes to French Polynesia and meets Dr. Dinosaur, a dinosaur who claims to have traveled in time using crystals. This story, definitely the high point of the book, includes the story that was first published for Free Comic Book Day 2009 – and incorporates it into an adventure that had me laughing out loud at Dr. Dinosaur’s absurd pronouncements and Atomic Robo’s dry comebacks.

That’s my favourite thing about the book (besides the lack of exposition): the dry dialogue. Atomic Robo is just a regular guy trying to do a job – aside from being atomically powered and indestructible, anyway – and he always has a comeback to point out just how silly his villains are.

The art is simple and to the point, just like the story. I love how Robo’s emotions are conveyed solely though the metal lids of his headlight eyes – and how Dr. Dinosaur’s bulging eyes get crazier with every hilarious thing he says.

Atomic Robo is one of the funniest, craziest books I’ve ever read. Check out volume 4, and you’ll want to read the other three volumes too.

You can find Atomic Robo Volume 4 in store at The Beguiling, or you can buy it online at beguiling.com.

Review: The Playwright

Title: The Playwright
Writer: Daren White
Artist: Eddie Campbell
Publisher: Top Shelf Productions
Published: 2010

Review by Jason Azzopardi

I have a real soft spot for the oddballs in this world, and the beautiful way social cues just pass them by, or how they struggle to fit their ever-so-rounded thoughts into the harsh angular lines of modern society.  This suits me fine because the world is too angular as it is.

But what if you’re an oddball from the most rigid of societies, where, at every turn, there is royalty, tea and crumpets and fencing?  How do you account for being lonely in all that staunch propriety, or having dirty thoughts, or needing to defecate, or even just being filled with self-loathing?

Daren White and Eddie Campbell’s deliciously uncomfortable (and very British) graphic novel, The Playwright, chronicles the physical and emotional minutia of a Dennis Potterish author’s middle age.  Finding financial and artistic success early in his career, the title character has also wedged himself into a sadly hermitic life by poaching emotional conflict from those closest to him, all for the sake of his art.  The Playwright, we discover, may be a keen observer of the human condition (and all its foibles), but he’s not a particularly astute practitioner of it.  He has a concrete set of ideas of what his identity and gender role are supposed be as an upper-middle class heterosexual male, but after a series of tragedies forces him to actually interact with the people passing through his existence, he finds that the foundation he has built this identity on is not as solid as he once thought.  Life simply happens whether you partake in it or not.

The Playwright’s authors delight in poking fun at the British stiff-upper-lip and class hierarchies, and they relish in showing the consequences of a frightened, closed mind.  Daren White writes from a delicate, intimate distance.  He lulls us into laughing at our unnamed protagonist’s quirks and neurotic obsessions in the opening chapters, but it’s an uncomfortable, fidgety laughter escaping from our lips.  By the book’s genuinely touching end, we begin to root for The Playwright’s happiness because we recognize ourselves in his behavior.  He begins as an aging caricature and evolves into living tissue.

Eddie Campbell paints with nervous, evocative gesture lines and a gasping, slightly garish polyester palette, suggesting, as he does in From Hell, that all the British cherrios and tally-hos are merely set dressing; that the prim and proper traditions are really just ridiculous façades for the elite to cushion themselves against the harsh blows of a confusing world.  But buried beneath their privileged layers are the same receding hairlines, wrinkles, social anxieties, terminal illnesses and sagging flesh that make us all human.

The Playwright is a story for grown-ups.  It worms his way into your own notions of aging and loneliness until you realize that this oddball of a book is not just a graphic novel, but also a mirror – a mirror that laughs and cries and needs to feel loved, and also one that shits and fucks, just like the rest of us.